Back in the day, recording artists made the bulk of their revenues from merchandising. Herbie Herbert, Journey’s burley manager, was the first person I was aware of who exploited this fact to great benefit. I was told that Journey made more money from merchandising sales and touring receipts than from their platinum albums.
I got a lengthy email survey from Live Nation, the big international touring promoter, asking my opinions about U2, from what albums I owned to how much I would pay for concert tickets at various sections of an arena.
Then, this morning, I read in the New York Times about Live Nation’s impending deal with Madonna.
Madonna is nearing an agreement with Live Nation, the concert promoter, that would pay her more than $100 million in exchange for three albums and the exclusive rights to promote her concerts and to market her merchandise in a wide-ranging partnership, according to people briefed on the talks.
So merchandising and touring has replaced record companies at the top of the music heap. Prince makes a huge deal with a London newspaper, Radiohead and Trent Renzor exit their major label deals to go it alone, Madonna signs with a concert promoter, Paul McCartney and Joni Mitchell sign with Starbucks, and the Eagles go to Wal Mart. Sure signs of the music business apocalypse.
I predict U2 will be the next major act to announce a deal with Live Nation. You heard it here first.
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[...] the music business model jungle. Concert promoter Live Nation, fresh off a Madonna acquisition (see earlier blog), has added more merchandising to its growing empire. Concert giant Live Nation has now acquired [...]